Blat (2010) combines triplestrokes with hugadigs (one-handed breakdown of a flam-tap) and flam rudiments. The more thinly-written middle part centres around what's called the "Cary lick" in the quad line, with a flam accent breakdown in the snare line.
The way the heights are notated, there is a slight difference between the threes of the triplestroke bars, and those of the flam-tap bars, though not every instructor/line makes such a distinction. I think of triplestrokes as being allowed a bit more freedom to rebound, while hugadigs are controlled a bit more to achieve a lower height on the third note (the grace note of the flam-tap).
